Or is it just the little ones?

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Thanks to our friends at The Clarion Ledger!

Can't wait for the full length video coming out later today...but here's a little taste!

"He was more than a country singer, he was a country song," said Face
the Nation moderator Bob Schieffer, one of eight speakers at the funeral.
"And it was never an easy one."

Thursday's service, which drew thousands of family, friends and fans to the
Grand Ole Opry House, also revealed lesser-known stories about the man whom
Charlie Daniels called "the most imitated country singer of all
time." Some of the best takeaways:

1. Jones never got over being nervous on the Grand Ole Opry stage, especially those times when he was introduced by the late Roy Acuff.
2. Jones almost turned down his signature hit, He Stopped Loving Her Today, feeling that it was too sad.
3. Jones loved Raisin Bran but hated raisins. His wife, Nancy, would pick them out of his cereal for him.
4. Jones would get in his car and drive around town when he felt like he needed some attention. Jones considered turning down his Kennedy Center Honor in 2008, believing that people in Washington, D.C., didn't like country music and wouldn't know who he was.
5. George W. Bush liked to work out to Jones' White Lightning in the White House gym.
6. Wynonna Judd sang How Great Thou Art at the 1998 funeral of Jones' ex-wife Tammy Wynette, with Jones sitting in the front row. She sang the same song Thursday at
        Jones' service.
7. During an early 1960s Johnny Cash package tour, Jones asked a 13-year-old Barbara Mandrell to back him on steel guitar, along with Cash's Tennessee Three.
8. Kid Rock started writing a song for Jones but never finished it and never played it for him.
        "I'll just give you a little bit of it," he told those attending
        the service before he performed Best of Me. "I may be a little
        slower, but I'm still 12 steps ahead of you/ I spent a lifetime getting
        sober, and I wondered if you know/ That now I'm spending my days without
        the bottle/ High on love with you."
9. Jones cried after Alan Jackson surprised the Country Music Association Awards audience in 1999 by segueing into Jones' hit Choices after performing his own song.
10. Jones called Vince Gill "Sweetpea." "At first, I wasn't so sure about it,"
         said Gill, who would choke back tears as he performed his song Go Rest
         High On That Mountain with Patty Loveless. As the nickname grew on
         Gill, he realized, "anytime I would go anywhere and somebody called
         me Sweetpea, I knew it was because they loved George Jones."

Since we're on the subject of amazing dog stories.....

Curb Records Responds To Positive News That The

Big Machine / Tim McGraw Issues Will Be Heard By The Federal Court

Nashville, Tenn. (April 30, 2013) - Curb Records, Inc. was pleased to learn that Nashville’s Federal Court took jurisdiction of Curb Records’ continuing lawsuit with Tim McGraw and Big Machine Records. The lawsuit raises issues of tremendous significance which are important not only to Curb Records, but also to the recording industry and many other industries – the enforceability of contracts in Tennessee. Curb Records contends in the lawsuit that:

McGraw ignored his obligation to deliver his required Fifth Option Period album to Curb Records; and

The album he did provide, Emotional Traffic, consisted of old material recorded before the time during which he was permitted to record the Fifth Option Period album; and

McGraw ignored his delivery obligations and Curb Records’ approval rights; and

McGraw destroyed or erased many recordings owned by Curb Records; and

McGraw refused to accept his recording advance check and sent the check back to Curb Records so that McGraw could claim non-payment; and

McGraw attempted to deliver the required Fifth Option Period album before he was allowed to do so, attempting to end his recording obligations prematurely, among other things.

Curb Records has also determined that Tim McGraw recorded the songs recently released on an album by Big Machine Records while he was still under contract with Curb Records. Accordingly, Curb Records contends that McGraw and Big Machine are infringing the Curb Records’ copyrights in those recordings. In addition, Curb Records has learned that, although Tim McGraw was required to provide to Curb all of the recordings he had made while he was recording for Curb Records, not only did he fail to deliver all of those recordings, but that he has even erased his voice from a number of the recordings which belong to Curb Records. Because only a federal court has jurisdiction over claims of copyright infringement, these issues will be heard by the federal court in Nashville. Curb Records seeks not only damages for copyright infringement from McGraw and Big Machine Records, but also the Court’s declaration that Curb Records is the owner of these recordings which were made during the term of its Recording Agreement and which Big Machine Records, Curb Records contends, wrongfully induced Tim McGraw to provide to it. Curb Records believes that an artist honoring his agreements is a principle so important to the recording industry and commerce in general that it has asked the federal court to make these determinations.